There’s not much that can be more timely than an exhibition by a Syrian artist in London which “reflects the personal tragedies of everyday contemporary Syrian reality.” I went down to speak to him for The National, and although his English wasn’t brilliant, these paintings, sculptures and friezes spoke for themselves. It wasn’t uniformly excellent as a collection, but Yazigi’s real achievement was to highlight the power of art to speak for those who feel disenfranchised.
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